Selasa, 20 Desember 2011

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Are We Smart Enough to Know How Smart Animals Are?, by Frans de Waal

A New York Times Bestseller

From world-renowned biologist and primatologist Frans de Waal, a groundbreaking work on animal intelligence destined to become a classic.

What separates your mind from an animal’s? Maybe you think it’s your ability to design tools, your sense of self, or your grasp of past and future―all traits that have helped us define ourselves as the planet’s preeminent species. But in recent decades, these claims have eroded, or even been disproven outright, by a revolution in the study of animal cognition. Take the way octopuses use coconut shells as tools; elephants that classify humans by age, gender, and language; or Ayumu, the young male chimpanzee at Kyoto University whose flash memory puts that of humans to shame. Based on research involving crows, dolphins, parrots, sheep, wasps, bats, whales, and of course chimpanzees and bonobos, Frans de Waal explores both the scope and the depth of animal intelligence. He offers a firsthand account of how science has stood traditional behaviorism on its head by revealing how smart animals really are, and how we’ve underestimated their abilities for too long.

People often assume a cognitive ladder, from lower to higher forms, with our own intelligence at the top. But what if it is more like a bush, with cognition taking different forms that are often incomparable to ours? Would you presume yourself dumber than a squirrel because you’re less adept at recalling the locations of hundreds of buried acorns? Or would you judge your perception of your surroundings as more sophisticated than that of a echolocating bat? De Waal reviews the rise and fall of the mechanistic view of animals and opens our minds to the idea that animal minds are far more intricate and complex than we have assumed. De Waal’s landmark work will convince you to rethink everything you thought you knew about animal―and human―intelligence.

32 illlustrations

  • Sales Rank: #6916 in Books
  • Published on: 2016-04-25
  • Released on: 2016-04-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.20" w x 6.50" l, .0 pounds
  • Binding: Hardcover
  • 352 pages

Review
“A good book. Read it instead of watching TV or playing video games. The whole world will be better as a result.” (Maria Rodale - Daily Beast)

“An entertaining, convincing case for assessing each species’s intelligence on its own terms….not only full of information and thought-provoking, it’s also a lot of fun to read.” (Nancy Szokan - The Washington Post)

“Astonishing...has the makings of a classic--and one fantastic read.” (People)

“A passionate and convincing case for the sophistication of nonhuman minds.” (Alison Gopnik - The Atlantic)

“A thoughtful and easy read, packed with information stemming from detailed empirical research, and one of de Waal's most comparative works that goes well beyond the world of nonhuman primates with whom he's most familiar.” (Marc Bekoff - Psychology Today)

“Engaging and informative.” (The New York Times)

“A beautifully written and delightfully conceived popular science book, written by an eminent researcher who has dedicated his career to making the general public aware of just how smart animals are.” (Nicola Clayton - Science)

“Walks us through research revealing what a ride range of animal species are actually capable of....it all deals a pretty fierce wallop to our sense of specialness.” (Jon Mooallem - New York Times Book Review)

“A fascinating history of the study of animal behavior and cognition.” (Bark)

“This is a remarkable book by a remarkable scientist. Drawing on a growing body of research including his own, de Waal shows that animals, from elephants and chimpanzees to the lowly invertebrates, are not only smarter than we thought, but also engaged in forms of thought we have only begun to understand.” (Edward O. Wilson, University Professor Emeritus, Harvard University)

“Are We Smart Enough to Know How Smart Animals Are? will completely change your perceptions of the abilities of animals. This book takes the reader on a fascinating journey of discovery into the world of animal problem-solving.” (Temple Grandin, author of Animals in Translation and Animals Make Us Human)

About the Author
Frans de Waal has been named one of Time magazine’s 100 Most Influential People. The author of Our Inner Ape, among many other works, he is the C. H. Candler Professor in Emory University’s Psychology Department and director of the Living Links Center at the Yerkes National Primate Research Center. He lives in Atlanta, Georgia.

Most helpful customer reviews

126 of 130 people found the following review helpful.
Accent the possible
By David Wineberg
There is (yet another) fight raging in science. This one is over how we evaluate other vertebrates. In this fascinating and eye-opening compendium, Frans de Waal says we are prejudiced towards ourselves, always comparing animals’ performance to ours, in unfairly biased experiments designed for us. It bothers people that we are not unique, and it bothers de Waal that animals don’t get the credit they deserve. Ranging all over the world and all over species, the book is an endless marvel.

de Waal gives the example of a chimp named Ayumu at a research center in Japan, who can routinely memorize nine numbers in any given order, having seen them for just one fifth of one second. He can then pick them out in order from random numbers presented to him all over the computer screen. No human comes close. That’s a problem for a lot of scientists. The book is full of examples of animals, birds and fish doing highly intelligent things naturally. Our tests twist and pervert their skills to fit the test, showing them less intelligent than they are. We draw the wrong conclusions, often by asking the wrong questions. de Waal shows the way to a far more appreciative and objective way of looking at the world.

My own favorite story in prejudice occurred when scientists induced pain in the feet of mice to see if they could be made to hide it. They found that mice could put on a brave face, but only when a human male tended to them. For females, they let their guard down; they freely showed their suffering. The difference was so strong that it worked even when scientists simply placed a man’s t-shirt near the cage. The mice were totally focused on fear and ignored their own pain. This said two things: mice could hide their own pain, and every experiment using mice is to some extent invalid, prejudiced by the mere presence of humans. Male or female scientists will cause different results.

To that story, de Waal adds attention, motivation, and especially cognition, giving animals the full range of unlimited possibility, including communication (bottlenose dolphins call to each other by name). It is actually true respect. Possibly the most telling sentence about primates (de Waal’s focus) is that the caretakers in a primate center have greater respect for the intelligence of the animals than do the psychologists and philosophers who run the experiments.

Every being is magnificently adapted to its habitat and needs. That they have different strengths, some or none of which might also be present in humans, is basically irrelevant. The whole field of comparative psychology, where we test how animals measure up to humans, is irrelevant and invalid. We need to appreciate the possible, not the comparative.

David Wineberg

64 of 68 people found the following review helpful.
Insightful
By Book Shark
Are We Smart Enough to Know How Smart Animals Are? By Frans de Waal

“Are We Smart Enough to Know How Smart Animals Are?” is an insightful look at animal intelligence backed up by evidence from controlled experiments. Dutch/American biologist with a Ph.D. in zoology and ethology and author of Our Inner Ape and others, Frans de Waal, takes the reader on a journey of the sophistication of nonhuman minds. This entertaining 352-page book includes the following nine chapters: 1. Magic Wells, 2. A Tale of Two Schools, 3. Cognitive Ripples, 4. Talk to Me, 5. The Measure of all Things, 6. Social Skills, 7. Time Will Tell, 8. Of Mirrors and Jars, and 9. Evolutionary Cognition.

Positives:
1. Engaging and well-written book that is accessible to the masses.
2. A fascinating topic in the hands of a subject matter expert, nonhuman cognition.
3. Entertaining and insightful. The book is easy to follow. Professor de Waal is fair and even handed. He is careful to not oversell nonhuman cognition while providing a mixture of stories, experiments and observations to back his points. “I will pick and choose from among many discoveries, species, and scientists, so as to convey the excitement of the past twenty years.”
4. Includes many sketches that complement the excellent narrative.
5. Introduces and explains key new terms. “Umwelt stresses an organism’s self-centered, subjective world, which represents only a small tranche of all available worlds.”
6. Does a wonderful job of explaining the most important topic of this book, animal cognition. “No wonder Griffin became an early champion of animal cognition—a term considered an oxymoron until well into the 1980s—because what else is cognition but information processing? Cognition is the mental transformation of sensory input into knowledge about the environment and the flexible application of this knowledge.” “While the term cognition refers to the process of doing this, intelligence refers more to the ability to do it successfully.”
7. A look into experimental science. “The credo of experimental science remains that an absence of evidence is not evidence of absence.”
8. One of the recurring themes of this wonderful book is the importance of conducting well-constructed experiments. “Their earlier poor performance had had more to do with the way they were tested than with their mental powers.” “The challenge is to find tests that fit an animal’s temperament, interests, anatomy, and sensory capacities.”
9. A fascinating look at the field of evolutionary cognition. “The field of evolutionary cognition requires us to consider every species in full.”
10. One of the most important topics covered is the notion of continuity. “It is far more logical to assume continuity in every domain, Griffin said, echoing Charles Darwin’s well-known observation that the mental difference between humans and other animals is one of degree rather than kind.”
11. Explains key differences between behaviorism and ethology. “The difference between behaviorism and ethology has always been one of human-controlled versus natural behavior. Behaviorists sought to dictate behavior by placing animals in barren environments in which they could do little else than what the experimenter wanted.”
12. The book provides interesting examples that includes animals beyond de Waal’s expertise of primates. “With animals such as chimpanzees, elephants, and crows, for which we have ample evidence of complex cognition, we really do not need to start at zero every time we are struck by seemingly smart behavior.”
13. Provocative questions. Do animals have culture? Find out.
14. Provides evidence for animal cognition. “A century ago Wolfgang Köhler set the stage for animal cognition research by demonstrating that apes can solve problems in their heads by means of a flash of insight, before enacting the solution.” “Apes do not just search for tools for specific occasions; they actually fabricate them.”
15. The pioneers of animal cognition. “Nadia Ladygina-Kohts was a pioneer in animal cognition, who studied not only primates but also parrots, such as this macaw. Working in Moscow at around the same time that Köhler conducted his research, she remains far less known.”
16. The amazing story of Ayumu. “Ayumu’s photographic memory allows him to quickly tap a series of numbers on a touchscreen in the right order, even though the numbers disappear in the blink of an eye. That humans cannot keep up with this young ape has upset some psychologists.”
17. An interesting look at social skills. “The cooperative pulling paradigm, as it is known, has been applied to monkeys, hyenas, parrots, rooks, elephants, and so on.” “In the end, we found proof in the pudding that chimpanzees are highly cooperative. They have no trouble whatsoever regulating and dampening strife for the sake of achieving shared outcomes.”
18. Do animals plan ahead? “This study was quite ingenious and included a few additional controls, leading the authors to conclude that jays recall what items they have put where and at what point in time.” “Lisala, a bonobo, carries a heavy rock on a long trek toward a place where she knows there are nuts. After collecting the nuts, she continues her trek to the only large slab of rock in the area, where she employs her rock as a hammer to crack the nuts. Picking up a tool so long in advance suggests planning.”
19. The intelligence of elephants. “In short, elephants make sophisticated distinctions regarding potential enemies to the point that they classify our own species based on language, age, and gender. How they do so is not entirely clear, but studies like these are beginning to scratch the surface of one of the most enigmatic minds on the planet.”
20. The three divided attitudes on animal cognition: slayers, skeptics, and the proponents.
21. Notes and bibliography included.

Negatives:
1. The scientific process needed to be explained in more detail and specifically how it relates to the study of primates. An appendix explaining de Waal’s overall scientific approach would have been helpful.
2. Lacks supplementary visual materials such as diagrams, charts and graphs. A chart depicting the different types of primates with key statistics as an example. Maps showing where the main subjects come from.
3. On the topic of neuroscience a little more depth was warranted. Once again, visual material would have complemented the narrative.
4. The format could have been enhanced to highlight the most noteworthy observations or facts.

In summary, this was a very entertaining book. Professor De Waal succeeds in entertaining and educating the public on animal cognition. His mastery of the topic is admirable and is careful to be grounded on the facts and not to oversell an idea. A lot of interesting insights don’t miss this one. I recommend it!

Further recommendations: “The Bonobo and the Atheist”, “Our Inner Ape”, “The Age of Empathy”, “Chimpanzee Politics” by the same author, “The Genius of Birds” by Jennifer Ackerman, “Beyond Words: What Animals Think and Feel” by Carl Safina, “The Soul of an Octopus” by Sy Montgomery, “Animal Wise” by Virginia Morell, “Zoobiquity” by Barbara Natterson-Horowitz, “The Secret Lives of Bats” by Merlin Tuttle, and “Last Ape Standing” by Chip Walter.

2 of 2 people found the following review helpful.
When I die, give my body to the crows...
By Woody
De Waal mostly confirms what I already thought: animals do indeed participate in their own cultures and lack of similarity to ours is no reason to disparage the idea that animals display their own intelligence that may or may not be congruent with humans'. It reminds me of a point I always made to my history students: illiteracy does not make a person unintelligent. Likewise, just because animals approach their own societies differently from our approach does not imply lack of culture. De Waal provides a ton of evidence, both quantitative and anecdotal, to support his and others' thesis about animal intelligence. I have a newly reinforced respect especially for crows and their kin. I just hope the murder who inhabits my local park doesn't see me as a jerk. De Waal may have also made me rethink my relationship with the meat on my plate.

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Jumat, 16 Desember 2011

[T221.Ebook] Get Free Ebook Golden Apples of the Sun, The, by Ray Bradbury

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Golden Apples of the Sun, The, by Ray Bradbury

Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outré fascination which spring from the canvas of one of the century's great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safary, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outre fascination which spring from the canvas of one of the centurys great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safari, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.

  • Sales Rank: #741812 in Books
  • Published on: 1997-11-01
  • Released on: 1997-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .79" w x 5.25" l, .60 pounds
  • Binding: Paperback
  • 352 pages

About the Author

In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2011 at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.

Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."

Most helpful customer reviews

20 of 20 people found the following review helpful.
The poet laureate of science fiction
By A Customer
This is the first collection of Ray Bradbury's stories I ever read, and it still rocks! I was only 13, and it immediately put me into his own, lyrical and yet dark world: lovelorn sea monsters, pining away for foghorns; time-traveling big-game hunters who accidentally change our history; spaceships dispatched to collect a piece of the sun; dictatorships that outlaw any form of eccentric behavior, such as *not* watching television---a scary premise, indeed, since we're practically in that world now; and more. Bradbury's delight in telling stories, inventing fabulous glimpses into other worlds as well as our own, radiates from every page. His work is warm, but it is not overly sentimental---he is unafraid to let a story end very badly for its characters, if it should help him to make the point he has in his mind. Nor are his tales all scary and dark---one or two are positively hilarious. This is not just highly recommended---it is urged that you rush out and purchase it...

12 of 12 people found the following review helpful.
'Fear no more the heat of the sun...'
By Michele L. Worley
While these stories are excellent, most don't fit neat pigeonholes within Bradbury's work. Only some are SF. I've discussed them not in order of appearance, but alphabetically.
"The April Witch" - Cecy is plain-faced, 17, and odd - in fact, a witch from a witch family. She can take possession of any creature, live through its experiences - but she wants romance. So lovely Ann Leary finds herself going to the dance with the boy she's not speaking to...(If you're interested in Cecy's family, try _The October Country_ and _From the Dust Returned_.)
"The Big Black and White Game" - Set in 1940s Wisconsin. Once a year, two pickup baseball teams face off on a long summer day, just before the Cakewalk Jamboree, and somehow the white team always wins. But this year...hmm. If this appeals to you, look for other Bradbury stories like "Way Up High in the Middle of the Air".
"Embroidery" - A nuclear test scheduled for five o'clock has the women sitting on a porch worrying over fancywork rather than supper. An interesting parallel is implied, as one woman, having made a mistake early on, rips out the design...
"En La Noche" - Mrs. Navarrez has been grieving at the top of her lungs for days over her husband's departure for the army. The other sleepless adults in the tenement are growing desperate. When Mr. Villanazul comes up with a suggestion, guess who gets to carry it out.
"The Flying Machine" - The emperor of China sees a great wonder in the dawn - a man has built a kite that lets him fly! But the inventor isn't the only far-sighted man in this tale.
"The Fog Horn" - The old lighthouse keeper has told his assistant of many strange things, seen out here on the edge of the sea, to prepare him for these autumn nights when the strangest thing of all appears. One of Bradbury's best.
"The Fruit at the Bottom of the Bowl" - Acton just killed Huxley with his bare hands in Huxley's own house. The background of the murder is provided as Acton retraces his actions, trying to remove all traces of his presence. But even obsessive people can't always get everything.
"The Garbage Collector" - He liked his job, until civil defense created procedures for atomic attack.
"The Golden Apples of the Sun" - The ship is heading for the sun, to scoop up some starfire and take it back to Earth. A man may be killed by frost if he fears fire too much...
"The Golden Kite, the Silver Wind" - The mandarin has brought his chief advisor - his daughter - a problem. Kwan-Si has built a wall shaped like a pig - which threatens the mandarin's city, built in the shape of an orange. Each town is built and rebuilt, choosing a shape in response to one another. The final solution is ingenious. If you like this, seek out Barry Hughart's _Bridge of Birds_; Number Ten Ox's native village once had a similar problem. :)
"The Great Fire" - Nobody could quench it, because it was inside cousin Marianne - she's staying until October, and going out on dates every night. Father says he'll have been in the cemetery for about 130 days then...
"The Great Wide World Over There" - Cora, who always wanted adventure, has spent her life in the valley, going to town only twice a year. Illiterate, she can't escape through books. But now her nephew's coming to visit.
"Hail and Fairwell" - Willie looks 12, but he's 43. This isn't a variation on "Jeffty Was Five"; his mind is normal. While he can get by, he can't settle anywhere for long...
"Invisible Boy" - Charlie's staying with Old Lady while his parents are away. But she likes having him around, and sets about using witchcraft to keep him.
"I See You Never" - Mr. Ramirez left Mexico City for San Diego a little over two years ago. He's built a life for himself - a good life, by his lights. His landlady even believes that a good workingman has a right to get drunk once a week if he likes. There's only one problem...
"The Meadow" - That's only what it used to be. Then the movie producer came along, and said, Let there be Paris! Let there be Constantinople! And lo, hundreds of cities came into being. On the outside, it's a movie set. To the night watchman, it knocks the 'real' world into a cocked hat.
"The Murderer" - He's being interviewed by a shrink: the victims are yakking machines: telephones and the like. This used to be SF...
"The Pedestrian" - A companion piece to _Fahrenheit 451_. The writer walks for pleasure every night, so the cops have picked him up as a suspicious character.
"Powerhouse" - The woman, riding with her husband through the desert to her dying mother, never needed religion. During a great storm, they take shelter at a powerhouse in the desert. Bradbury explores the nature of faith and being alone a little, here. A quiet story, but richly textured as most of his work is.
"A Sound of Thunder" - Time Safari, Inc. advertises that if you name the animal, they'll take you hunting. After all, what difference could it possibly make to history - whether a dinosaur died a natural death or from a bullet, a few million years ago?
"Sun and Shadow" - A fashion photographer, trying to use a picturesque cracked wall as a backdrop, encounters Ricardo Reyes, who objects to his neighbourhood's poverty being treated as a stage set. A gem.
"The Wilderness" - Leonora and Janice are facing their last night on Earth. Tomorrow they catch the rocket, to meet their menfolk on Mars.

11 of 11 people found the following review helpful.
Bradbury's SF strength is in the humanity...
By Ryan Garcia (hose@webelite.com)
You've probably heard a half a dozen Ray Bradbury stories without even knowing it. His tales of space flights, Martian expeditions, and strange occurences on our own planet are all classics. While "Martian Chronicles" is arguably the best collection of Bradbury stories, this book also shows the amazing talent of Bradbury. His ability to mix the human with the fantastic makes for incredible stories.
This book collects several of the best stories Bradbury ever created in one volume. There are several books that group Bradbury stories together, but few contain the raw number of stories as this one.
My own personal favorite Bradbury story is in this collection: "A Sound of Thunder." This short tale of a time-travelling dinosaur safari is an amazingly powerful look at the wonder and consequences of time travel and personal behavior. The story is easily consumed by the youngest reader and just as easily debated by science fiction scholars for hours. I first heard this story on an audio tape during a family car trip--hearing it inspired me to read other Bradbury stories. To me, Bradbury will always be "A Sound of Thunder" and that's quite a reputation to have.
One of Bradbury's longer shorts, "Frost and Fire," is also included. This is an amazing tale of the rapid development of humans on Mercury. Rapid in that everyone grows quickly and dies young. Set against the backdrop of a planet that allows only a few brief minutes of freedom on the surface before the residents must hide from the scorching heat or blistering cold. The story can be appreciated from a pure SF perspective or just from the human side--Bradbury creates realistic worlds in the most fantastic location.
Two other stories are also stand-outs: "The Fog Horn" and "Here There Be Tygers." Saying anything about the actual plots would give away the stories, but I will say they both present unexpected twists that will have you thinking twice about your own normal everyday lives.
As a first introduction to Bradbury this collection is excellent. It gathers together a wide variety of his stories from various sub-genres and has enough to keep readers busy for a while. Ultimately you'll want to read other story collections, but this book will give you a taste of things to come.
For Bradbury fans who haven't read some of these stories I probably don't need to recommend the book at all--by now you've already clicked on a purchase link and had the book sent to you.
For everyone else I can only urge that you try Bradbury. Even if you aren't a science fiction fan, Bradbury is a very approachable author and his works cross the traditional boundaries of science fiction. This isn't nerdy Star Trek or hard-core Neuromancer. His stories are human and that's what makes them universal. Rocketships are entirely optional.

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Kamis, 15 Desember 2011

[R262.Ebook] Ebook Banken der Zukunft _ Zukunft der Banken (German Edition)From Gabler Verlag

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Banken der Zukunft _ Zukunft der Banken (German Edition)From Gabler Verlag

Durch Globalisierung und technischen Fortschritt stehen die Banken vor neuen Herausforderungen. Diese Entwicklungen aufgreifend bietet die Festschrift einen Abriss über die daraus resultierenden Veränderungen und deren Konsequenzen für die Finanzwelt.
Herausgeber und Autoren analysieren die aktuellen und zukünftigen Entwicklungen für die Finanzwirtschaft und diskutieren die auf die zunehmende Globalisierung und den technologischen Fortschritt zurückzuführenden neuen Herausforderungen.

  • Published on: 2001-03-14
  • Original language: German
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Hardcover
  • 426 pages

About the Author
Dr. Willi Fischges, Christina Heiß und Mandy Krafczyk sind wissenschaftliche Mitarbeiter am Lehrstuhl für Allgemeine Betriebswirtschaftslehre, Finanzierung und Bankbetriebslehre an der Wirtschaftswissenschaftlichen Fakultät Ingolstadt/ Katholische Universität Eichstätt.

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[Y258.Ebook] Ebook Lalaloopsy: Party Time!, by Lauren Cecil

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Lalaloopsy: Party Time!, by Lauren Cecil

Sew magaical . . . sew cute! A sweet storybook featuring the hottest new dolls--Lalaloopsy!

In this sweet storybook, the Lalaloopsy girls are planning a party. Each girl uses her special talents to make the party a success, but Mittens Fluff 'n' Stuff can't figure out how to help. Afterall, she loves snow and winter sports! Mittens tries to help Crumbs bake cupcakes, but they come out burned. Next, she tries to help Jewel make party tiaras, but that's a mess, too. In the end, Mittens thinks about the thing she loves most--snow! She decides to make mint snow cones, which are the hit of the party!



  • Sales Rank: #579507 in Books
  • Brand: Scholastic
  • Published on: 2011-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 8.00" w x .25" l, .10 pounds
  • Binding: Paperback
  • 24 pages
Features
  • Great product!

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10 of 10 people found the following review helpful.
Not the greatest product
By Deborah M
Much bigger than the words "pocket dictionary" implies. Missing a LOT of basic words that my grade-schooler is assigned for vocabulary.

0 of 0 people found the following review helpful.
So-so
By HappilyRetired
Not much to this book but the illustrations are nice. Somehow I had expected a more interesting storyline.

0 of 0 people found the following review helpful.
Five Stars
By Yvonne R
Yes, it met our child's needs. Lighter to carry around than others. Able to carry in backpack.

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Rabu, 14 Desember 2011

[L495.Ebook] PDF Ebook Victorian Anthropology, by George Stocking

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Victorian Anthropology, by George Stocking

Stocking examines the portrayal of primitive peoples by Victorian travellers and missionaries. He shows how their attitudes towards the dark-skinned savages corresponded to their view of the proletarian masses produced by the Industrial Revolution.

  • Sales Rank: #1289549 in Books
  • Published on: 1991-09-30
  • Released on: 1991-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.50" l, 1.35 pounds
  • Binding: Paperback
  • 448 pages
Features
  • ISBN13: 9780029315514
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

4 of 4 people found the following review helpful.
Life Before Darwin
By A Customer
Stocking's "Victorian Anthropolgy" proves that there was life before Darwin. The book begins with an overview of anthropological theories, both in England and in Europe, and examines how political influences determined which of these were accepted by English scholars. Fixed firmly in the context of Victorian England, Stocking clearly shows the extent to which anthropological treatises influenced not only scientific thought but also social policy. An informative and enlightening book, "Victorian Anthropology" would be particularly useful to students of British cultural and/or anthropological history.

4 of 6 people found the following review helpful.
A great book goes out of print..
By byrner
I had Stocking as a professor, and we read this book in his course on British anthropology. This is probably my single favorite book on anthropology, and I can't believe it has gone out of print! Anyway, I highly recommend this book to anyone interested in cultural anthropology. More importantly, to students & professors interested in the formative years of anthropology, and ethnography, this book is a must own. Stocking's other books are not bad, although they tend to be collections of essays and are rather hit or miss, depending on your interests. Victorian Anthropology is his magnum opus. Hopefully it gets reissued one day.

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Sabtu, 10 Desember 2011

[Q256.Ebook] Fee Download A Student Grammar of Modern Standard Arabic, by Eckehard Schulz

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A Student Grammar of Modern Standard Arabic, by Eckehard Schulz

This accessible grammar provides a concise and user-friendly guide to the structure of Modern Standard Arabic. Using familiar terminology and keeping theory to a minimum, it is suitable for beginning students as well as those at a more advanced level. Detailed descriptions of all types of sentences are given, and numerous tables provide a clear presentation of verbs and nouns. The most familiar grammatical terms are given in Arabic as well as in English in order to help students identify them more easily.

  • Sales Rank: #5644797 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2005-05-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x .63" w x 6.85" l, 1.45 pounds
  • Binding: Hardcover
  • 266 pages
Features
  • Used Book in Good Condition

Review
'The author has accomplished the noble goal of user-friendliness, while simultaneously presenting numerous intricate, interwoven details, and this, in and of itself, makes it an ideal text for a course in the structure of MSA.' WORD

About the Author
Eckehard Schulz is Professor of Arabic Language and Linguistics at the University of Leipzig, an experienced teacher and translator of Arabic and the author of several books in related fields.

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11 of 27 people found the following review helpful.
A little too complicated for the beginner
By Super Colin Blow
Schulz's book is too complicated for a beginner; I would recommend it only for the advanced or intermediate student of Arabic. I don't like that it calls the past and present tenses "perfect and imperfect" (why not just call them past and present???) just to confuse you. To add insult to injury, the charts of verbs are different than those I learned in school. Instead of being arranged: ana, anta, anti, huwa, heya; nahnu, antum, antunna, hum, hunn...the pronouns in the verb charts are just arranged any old way. Plus, this book doesn't even cover in depth something very important: the Masdar! I think, though I'm not sure because I'm not an advanced scholar, that there are "added" extra marks above some of the letters, like the spelling is slightly different than what I have learned. Like a double dumma at the end of a word, or a kasra under a ta-marbuta for no apparent reason.

Ok, that said it certainly is very thorough, and probably appropriate for the advanced student who already knows what it is talking about. It is just not what a beginning or intermediate student needs as a reference grammar to have at his side to correct his homework or whatever, or look something up. I do not think it gives enough examples, nor does it clearly explain what it is demonstrating. This is clearly an advanced book; not something I would want to fool around with (I'm just ending Arabic 102).

14 of 15 people found the following review helpful.
Great reference guide
By S.A.S.
I've been using this book as a quick grammar reference for university level Arabic classes for several years now (picked it up soon after it came out) and don't have much to complain about. Schulz's book is concise, compact, thorough, and relatively inexpensive. The layout isn't completely intuitive and may be confusing if you aren't used to Arabic grammar references. The index is laid out nicely and is easily accessible. I have no problem using this book in class to quickly find and clarify an aspect of grammar without falling behind the rest of the students. Its the perfect complement to Arabic instructional materials like the Al-Kitaab series, which do a good job of introducing grammatical rules and structures but aren't easy to reference and lack concise explanations.

A few things are worth mentioning however...

* You need to be able to read Arabic script to effectively use the book as the examples are not transliterated.

* You should have at least a basic knowledge of Arabic before using this book, or you won't get much out of it. Its probably best if you have studied Arabic for at least a year, as you will not need this book much for the first year of study. For intermediate level students and higher this book is great for review, but if you have not been introduced to a concept previously it is difficult to learn it through this book. Combining this reference with Al-Kitaab and a competent instructor works well, and as you become more proficient in the language this book becomes increasingly useful.

* Again, to clarify; this book is not supposed to teach you Arabic grammar, it is a reference tool. To quote the preface, "Not all the rules are explained in detail since the room assumes that the user already knows Arabic and should be able to deduce the rule in question from the examples quoted." This doesn't mean the book is useless for non-advanced students, just that you need to supplement it with instructional materials (and an instructor!). I personally found the book disappointing until my knowledge of Arabic grammar grew and I could make sense of the examples and terminology.

* Depending on your knowledge of Arabic and linguistics (and Arabic linguistics in particular) you may need to study the basic lexicon before being able to effectively use this book. The grammatical concepts and terms are referred to and indexed in both English and Arabic. If you are still working on basic grammar you probably are only comfortable in one or the other, so you should use either the English or Arabic terms and not both to avoid confusion. I've found that this book is helping me to understand Arabic grammar in both languages as I try to learn the English terminology when reviewing topics, and I can now compare the grammars of both English and Arabic easier.

For example, I now know that al-marfoo3, al-manSub, al-majzum and al-amr are moods, and that Arabic contains two voices. Before I didn't associate imperative with anything else and only thought of the aforementioned concepts in relation to their case ending rather than their grammatical function. If you had asked me what accusative or jussive meant before I got this book I wouldn't have had a clue.

The reviewer Colin is right that this book isn't for the beginning student, but it isn't just for advanced students either. I think he was looking for an instructional text, which may explain much of his review. Still, in response to some of his points... Masdar is a very basic concept and isn't too difficult compared to many of the other grammatical structures so it doesn't need many pages for elaboration. The verb charts are organized correctly, on page 12 Schulz clarifies with, "The order of persons in the Arabic conjugational paradigm is 3rd person - 2nd person - 1st person. This complies with Arab tradition and the practice pursued in nearly all Arabic textbooks." The dual forms are necessary to learn for literary Arabic, though for beginning students they can be ignored. The "'added' extra marks" are diacritics denoting the short vowels and are absolutely essential for literary (esp. classical) Arabic as they mark case and help identify the form used. If you have not used vocalized script before you certainly haven't progressed far enough to need this book!

The reviewer Just Another Linguist also has some misconceptions about the text. The book is organized into three parts: verbs, nouns, and syntax. Within each section the concepts are organized into further sub-divisions. It all flows nicely and the organization works well for a reference grammar, though if you wanted to learn Arabic grammar the organization is not suited to working through the whole book which may be the reason for such comments. I haven't noticed anything in the way of typographical errors, and certainly nothing to diminish the quality the text. The complaint about price feels odd to me as this is probably the cheapest Arabic-study related book I own and it is well worth the price!

I wasn't going to write a review for this book until I saw the existing ones, which I don't feel appropriately represent the text. 'A Student Grammar of Modern Standard Arabic' is a great reference guide that is best used in conjunction with other instructional materials or by those with decent existing knowledge of Arabic grammar. Its compact and easily transportable, well-organized and indexed, has examples for everything, isn't very expensive, and will be useful for as long as you continue to use/study Arabic.

2 of 3 people found the following review helpful.
indispensable
By Joseph L. Anderson
Perfect quick reference guide for advanced-intermediate readers of Arabic. Print quality is great. Typos are few if any (fewer than one would expect, in any case). Don't pay any attention to others' complaints about the organization being weird. That charge is simply not true. The explantions are concise, but thorough and well-worded. The table of contents and English index are straight-forward and user-friendly. All of this combined with an (invaluable) Arabic function-word index make this book more than adequate (I would even say indispensable) for around 95% of an advanced learner's grammatical reference needs. I also recommend acquiring Karin Ryding's Reference Grammar of Modern Standard Arabic as a back up, for the (less than) 5% of the time when you need more detail on some obscure irregular (hamzated/weak/hollow/defective, etc) verb/participial form in a certain measure (for example). Believe me, in most cases Schulz's book has everything you will need and you will quickly be able to find it. Lastly, the book is very reasonably priced. Buy it, you won't be sorry.

By the way, this is a book to refer to as you deveolp you skills reading Arabic literature. If you don't have a basic reading knowledge of Arabic, then you need to be in a class with a teacher and a beginning Arabic textbook of some kind.

The only thing more indispensable to me than this book is Hans Wehr's dictionary itself. Enough said.

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Senin, 05 Desember 2011

[G285.Ebook] PDF Ebook Organic Chemistry, by L. G. Wade

PDF Ebook Organic Chemistry, by L. G. Wade

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Organic Chemistry, by L. G. Wade

Organic Chemistry, by L. G. Wade



Organic Chemistry, by L. G. Wade

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Organic Chemistry, by L. G. Wade

The second edition of this introduction to organic chemistry which features new problem-solving sections, new spectroscopy problems in the functional group chapter and a re-arrangement of the NMR and IR spectroscopy sections.

  • Sales Rank: #7138980 in Books
  • Published on: 1990-11
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 600 pages

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