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Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outré fascination which spring from the canvas of one of the century's great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safary, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outre fascination which spring from the canvas of one of the centurys great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safari, from the pouring rain of Venus to the ominous silence of a murder scene, Ray Bradbury is our sure-handed guide not only to surprising and outrageous manifestations of the future, but also to the wonders of the present that we could never have imagined on our own.
- Sales Rank: #741812 in Books
- Published on: 1997-11-01
- Released on: 1997-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .79" w x 5.25" l, .60 pounds
- Binding: Paperback
- 352 pages
About the Author
In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2011 at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.
Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."
Most helpful customer reviews
20 of 20 people found the following review helpful.
The poet laureate of science fiction
By A Customer
This is the first collection of Ray Bradbury's stories I ever read, and it still rocks! I was only 13, and it immediately put me into his own, lyrical and yet dark world: lovelorn sea monsters, pining away for foghorns; time-traveling big-game hunters who accidentally change our history; spaceships dispatched to collect a piece of the sun; dictatorships that outlaw any form of eccentric behavior, such as *not* watching television---a scary premise, indeed, since we're practically in that world now; and more. Bradbury's delight in telling stories, inventing fabulous glimpses into other worlds as well as our own, radiates from every page. His work is warm, but it is not overly sentimental---he is unafraid to let a story end very badly for its characters, if it should help him to make the point he has in his mind. Nor are his tales all scary and dark---one or two are positively hilarious. This is not just highly recommended---it is urged that you rush out and purchase it...
12 of 12 people found the following review helpful.
'Fear no more the heat of the sun...'
By Michele L. Worley
While these stories are excellent, most don't fit neat pigeonholes within Bradbury's work. Only some are SF. I've discussed them not in order of appearance, but alphabetically.
"The April Witch" - Cecy is plain-faced, 17, and odd - in fact, a witch from a witch family. She can take possession of any creature, live through its experiences - but she wants romance. So lovely Ann Leary finds herself going to the dance with the boy she's not speaking to...(If you're interested in Cecy's family, try _The October Country_ and _From the Dust Returned_.)
"The Big Black and White Game" - Set in 1940s Wisconsin. Once a year, two pickup baseball teams face off on a long summer day, just before the Cakewalk Jamboree, and somehow the white team always wins. But this year...hmm. If this appeals to you, look for other Bradbury stories like "Way Up High in the Middle of the Air".
"Embroidery" - A nuclear test scheduled for five o'clock has the women sitting on a porch worrying over fancywork rather than supper. An interesting parallel is implied, as one woman, having made a mistake early on, rips out the design...
"En La Noche" - Mrs. Navarrez has been grieving at the top of her lungs for days over her husband's departure for the army. The other sleepless adults in the tenement are growing desperate. When Mr. Villanazul comes up with a suggestion, guess who gets to carry it out.
"The Flying Machine" - The emperor of China sees a great wonder in the dawn - a man has built a kite that lets him fly! But the inventor isn't the only far-sighted man in this tale.
"The Fog Horn" - The old lighthouse keeper has told his assistant of many strange things, seen out here on the edge of the sea, to prepare him for these autumn nights when the strangest thing of all appears. One of Bradbury's best.
"The Fruit at the Bottom of the Bowl" - Acton just killed Huxley with his bare hands in Huxley's own house. The background of the murder is provided as Acton retraces his actions, trying to remove all traces of his presence. But even obsessive people can't always get everything.
"The Garbage Collector" - He liked his job, until civil defense created procedures for atomic attack.
"The Golden Apples of the Sun" - The ship is heading for the sun, to scoop up some starfire and take it back to Earth. A man may be killed by frost if he fears fire too much...
"The Golden Kite, the Silver Wind" - The mandarin has brought his chief advisor - his daughter - a problem. Kwan-Si has built a wall shaped like a pig - which threatens the mandarin's city, built in the shape of an orange. Each town is built and rebuilt, choosing a shape in response to one another. The final solution is ingenious. If you like this, seek out Barry Hughart's _Bridge of Birds_; Number Ten Ox's native village once had a similar problem. :)
"The Great Fire" - Nobody could quench it, because it was inside cousin Marianne - she's staying until October, and going out on dates every night. Father says he'll have been in the cemetery for about 130 days then...
"The Great Wide World Over There" - Cora, who always wanted adventure, has spent her life in the valley, going to town only twice a year. Illiterate, she can't escape through books. But now her nephew's coming to visit.
"Hail and Fairwell" - Willie looks 12, but he's 43. This isn't a variation on "Jeffty Was Five"; his mind is normal. While he can get by, he can't settle anywhere for long...
"Invisible Boy" - Charlie's staying with Old Lady while his parents are away. But she likes having him around, and sets about using witchcraft to keep him.
"I See You Never" - Mr. Ramirez left Mexico City for San Diego a little over two years ago. He's built a life for himself - a good life, by his lights. His landlady even believes that a good workingman has a right to get drunk once a week if he likes. There's only one problem...
"The Meadow" - That's only what it used to be. Then the movie producer came along, and said, Let there be Paris! Let there be Constantinople! And lo, hundreds of cities came into being. On the outside, it's a movie set. To the night watchman, it knocks the 'real' world into a cocked hat.
"The Murderer" - He's being interviewed by a shrink: the victims are yakking machines: telephones and the like. This used to be SF...
"The Pedestrian" - A companion piece to _Fahrenheit 451_. The writer walks for pleasure every night, so the cops have picked him up as a suspicious character.
"Powerhouse" - The woman, riding with her husband through the desert to her dying mother, never needed religion. During a great storm, they take shelter at a powerhouse in the desert. Bradbury explores the nature of faith and being alone a little, here. A quiet story, but richly textured as most of his work is.
"A Sound of Thunder" - Time Safari, Inc. advertises that if you name the animal, they'll take you hunting. After all, what difference could it possibly make to history - whether a dinosaur died a natural death or from a bullet, a few million years ago?
"Sun and Shadow" - A fashion photographer, trying to use a picturesque cracked wall as a backdrop, encounters Ricardo Reyes, who objects to his neighbourhood's poverty being treated as a stage set. A gem.
"The Wilderness" - Leonora and Janice are facing their last night on Earth. Tomorrow they catch the rocket, to meet their menfolk on Mars.
11 of 11 people found the following review helpful.
Bradbury's SF strength is in the humanity...
By Ryan Garcia (hose@webelite.com)
You've probably heard a half a dozen Ray Bradbury stories without even knowing it. His tales of space flights, Martian expeditions, and strange occurences on our own planet are all classics. While "Martian Chronicles" is arguably the best collection of Bradbury stories, this book also shows the amazing talent of Bradbury. His ability to mix the human with the fantastic makes for incredible stories.
This book collects several of the best stories Bradbury ever created in one volume. There are several books that group Bradbury stories together, but few contain the raw number of stories as this one.
My own personal favorite Bradbury story is in this collection: "A Sound of Thunder." This short tale of a time-travelling dinosaur safari is an amazingly powerful look at the wonder and consequences of time travel and personal behavior. The story is easily consumed by the youngest reader and just as easily debated by science fiction scholars for hours. I first heard this story on an audio tape during a family car trip--hearing it inspired me to read other Bradbury stories. To me, Bradbury will always be "A Sound of Thunder" and that's quite a reputation to have.
One of Bradbury's longer shorts, "Frost and Fire," is also included. This is an amazing tale of the rapid development of humans on Mercury. Rapid in that everyone grows quickly and dies young. Set against the backdrop of a planet that allows only a few brief minutes of freedom on the surface before the residents must hide from the scorching heat or blistering cold. The story can be appreciated from a pure SF perspective or just from the human side--Bradbury creates realistic worlds in the most fantastic location.
Two other stories are also stand-outs: "The Fog Horn" and "Here There Be Tygers." Saying anything about the actual plots would give away the stories, but I will say they both present unexpected twists that will have you thinking twice about your own normal everyday lives.
As a first introduction to Bradbury this collection is excellent. It gathers together a wide variety of his stories from various sub-genres and has enough to keep readers busy for a while. Ultimately you'll want to read other story collections, but this book will give you a taste of things to come.
For Bradbury fans who haven't read some of these stories I probably don't need to recommend the book at all--by now you've already clicked on a purchase link and had the book sent to you.
For everyone else I can only urge that you try Bradbury. Even if you aren't a science fiction fan, Bradbury is a very approachable author and his works cross the traditional boundaries of science fiction. This isn't nerdy Star Trek or hard-core Neuromancer. His stories are human and that's what makes them universal. Rocketships are entirely optional.
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